Common Ground

At odds over décor? Take some tips from TV host Michael Payne on how couples can find design happiness.

Michael Payne, designer and host of HGTV's “Designing for the Sexes” may live in California but he's a big fan of Long Island. And Long Islanders have no trouble identifying Payne.

Check this out: Payne was in Penn Station, walking along the platform to board a Port Jefferson-bound train, when a rather rough-and-ready-looking engineer leaned out the window and shouted, “Hey, aren't you Michael Payne?” Payne replied that yes, indeed he was, and before he knew it, found himself with a front-row seat to Port Jeff while giving the engineer a private design consultation.

“This guy was at odds over what to do about his master bedroom,” says Payne, who is also the author of Let's Ask Michael: 100 Practical Solutions for Interior Design Challenges. “His wife was very insistent on having it be incredibly feminine, with lots of lace and frills. Although he didn't mind some feminine touches, he saw this as way over the top and wasn't comfortable with it at all.”

Payne's experience just goes to show that even men who don't watch “Queer Eye for the Straight Guy” or know the meaning of the word “metrosexual” have no qualms about voicing their opinions on home decorating. Gone are the days when the man handled renovating and the woman decorated. Nowadays both men and women are happily taking sledgehammers to walls and shopping for dinettes together. But working as a team rather than delegating can all too often lead to a design impasse.

The trouble begins when he wants a simple platform bed, a leather club chair, window shades (or no window treatments at all) and an ultra-cool flat-screen TV while she longs for ornately carved antiques, beaded throw pillows, a rolled-arm sofa and windows layered with scarves and swags. Let's face it, we still have our gender differences when it comes to décor.

So what appeals to men vs. women? Men often prefer a simplistic, even minimal look, says Payne. “They don't have a penchant for ornamentation.” Styles like Mission, Mid-Century Modern, and Colonial appeal to men. They often love leather sofas and chairs as much as their leather jackets.

Men tend to focus on the overall look of the room. For women—let's just say that God is in the details. Styles like Victorian and Queen Anne, with rolled arms and detailed carvings, as well as fabrics in stripes, plaids and toiles fall into female territory.

Women are also more comfortable mixing styles and patterns. “Many women love to experiment by mixing things like plaids and stripes,” says Payne. “For men, this can become a visual maze that translates into chaos. I have found most men are perfectly happy with plain fabrics in solid colors.”

So how do you find decorating common ground? Payne offers these tips:

Put function before form: Start by determining the purpose of the room. Will it be a formal room used for entertaining that's off limits to kids and pets? Or a casual room that you can put up your feet and relax in that will need to withstand wear and tear? A realistic room assessment will make it easier to decide on a suitable style and budget.

Find a style: Look through decorating books and magazines, mark photos of rooms and products you like, then see what your partner has chosen. You may be surprised to learn you both like certain styles, colors, or textures.

Choose a color scheme: A winning color combination works wonders when it comes to pulling together a room. Payne suggests pulling colors from an item you love that will be used in the room, such as a vase or painting. Decorative fabrics are also great starting points. After all, “it is the job of fabric designers to put together exquisite blendings of colors,” he says.

If you really can't find a color in common, stick with neutral tones for large areas like floors, walls, window treatments and bedding; then add splashes of color in accent pieces.

Contain clutter: What do you need to store in the room? Books? CDs? Knickknacks? Decide which items will be on display and which will be hidden behind closed doors. If one person is a collector, don't let the collection take over every available inch of shelf space, says Payne. Housing the collection in a cabinet with cabinet lighting will showcase items while keeping them from overflowing into the rest of the room.

Know when to get help: Most of us appreciate great design; not all of us have the knack for creating it. If you're really stuck, get advice from an interior designer. Even a consultation can leave you with great ideas.

Finally, you can't go wrong as long as you and your partner communicate, compromise, and be realistic. “It's about finding that middle ground,” says Payne, “where the room may not be exactly what you each wanted, but both of you are happy with it.”

TV or Not TV?

One of the most heated arguments for couples centers around that electronic hearth, the TV. Typically, he wants to display it; she may see it as an eyesore. To make matters more complicated, other electronic components, such as VCR's, DVD and CD players, gaming consoles, computers and music systems, are invading the home in record numbers.

According to Michael Payne, no matter how much you love your electronics (and plenty of women do, too) turned-off TVs and other components aren't the most attractive items to look at. He suggests opting for an armoire to house electronics so they're easily accessible yet hidden from view when not in use. Or go for a flat-screen plasma or LCD model that takes up less space than a traditional TV and can be mounted on a stand or on the wall (you can still put your flat-screen TV in an armoire if you don't find it aesthetically pleasing).

Remember that electronic items, even flat-screens, are not wireless. If you can, run the wires behind the drywall so you won't have to look at them.

And make sure you have enough outlets. Consult an electrician as to whether you'll need to put the room on a dedicated circuit so that you don't blow a fuse when you run multiple items.

 

 

Reprinted from @Home Long Island magazine, Winter/spring 2005. Copyright© all text 2005 by Ela Schwartz